This study aimed at determining whether adolescents and young adults use music as an agent of consolation when dealing with daily sorrow and stress. We furthermore tested whether three aspects of music listening, i.e., the music itself, its lyrics, and experiences of closeness to artists and fans, were experienced as comforting. Third, we explored whether consolation through music listening was related to music use and psychological problems. Overall, 1,040 respondents, age 13–30 years (M = 20.3, 70.7% female), responded to items measuring listening hours, music importance, music preferences, positive and negative affects elicited by music (PANAS), internalizing and externalizing problems, and consolation through music. Slightly over 69% re...
This research explored both social context and personal characteristics in relation to being saddene...
The purpose of this study was to explore the lived experience and meaning of adolescent girls’ music...
This study explores listeners ’ experience of music-evoked sadness. Sadness is typically assumed to ...
This study aimed at determining whether adolescents and young adults use music as an agent of consol...
Even though music is widely used as a source of solace, the question as to how and why music offers ...
Even though music is widely used as a source of solace, the question as to how and why music offers ...
The principal aim of this study was to determine if different profiles (types) of emotional reaction...
The period between 15 and 25 years is characterised by much personal change and is the peak age of o...
The period between 15 and 25 years is characterised by much personal change and is the peak age of o...
This study explores listeners' experience of music-evoked sadness. Sadness is typically assumed to b...
Self-identified sad music (SISM) is often listened to when experiencing sad life situations. Researc...
<div><p>This study explores listeners’ experience of music-evoked sadness. Sadness is typically assu...
Music has the capacity to positively impact young people’s mental health and wellbeing in an everyda...
This is a survey study examining the ways in which people use personal music listening as a tool for...
Rationale: Many young people turn to music as a way of exploring and managing their moods and emotio...
This research explored both social context and personal characteristics in relation to being saddene...
The purpose of this study was to explore the lived experience and meaning of adolescent girls’ music...
This study explores listeners ’ experience of music-evoked sadness. Sadness is typically assumed to ...
This study aimed at determining whether adolescents and young adults use music as an agent of consol...
Even though music is widely used as a source of solace, the question as to how and why music offers ...
Even though music is widely used as a source of solace, the question as to how and why music offers ...
The principal aim of this study was to determine if different profiles (types) of emotional reaction...
The period between 15 and 25 years is characterised by much personal change and is the peak age of o...
The period between 15 and 25 years is characterised by much personal change and is the peak age of o...
This study explores listeners' experience of music-evoked sadness. Sadness is typically assumed to b...
Self-identified sad music (SISM) is often listened to when experiencing sad life situations. Researc...
<div><p>This study explores listeners’ experience of music-evoked sadness. Sadness is typically assu...
Music has the capacity to positively impact young people’s mental health and wellbeing in an everyda...
This is a survey study examining the ways in which people use personal music listening as a tool for...
Rationale: Many young people turn to music as a way of exploring and managing their moods and emotio...
This research explored both social context and personal characteristics in relation to being saddene...
The purpose of this study was to explore the lived experience and meaning of adolescent girls’ music...
This study explores listeners ’ experience of music-evoked sadness. Sadness is typically assumed to ...